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Photo in the midst:
Nosferatu“ 1921
Photo at the left bottom:
Der Kongress tanzt“ 1931
Photo at the right bottom:
Der letzte Mann“ 1924

 

 
 
 
history between 1933 and 1945  
nach oben

 

When the National Socialists took power in January 1933, the freedom of interaction between artistic elements in German films came to an end.
In July 1933 the Reichsfilmkammer (Imperial Chamber of Films) was founded under the aegis of the minister of propaganda Goebbels (who appointed himself as “patron of German film”). All those involved in making films had to belong to this organisation - which, however, was not open to Jews.
This measure resulted in a dramatic increase in emigration, which started in February following the burning of the Reichstag: Fritz Lang, Erich Pommer, Billy Wilder, Peter Lorre and many others left the country.
From 1934, the entire German film industry was put under state control with a new Cinema Act: from the choice of material through to the production and distribution.
Nationalisation of the film industry followed in 1937. Mainly entertainment films were produced, but also adaptations of literary works and historical portraits of heroic personalities. After the beginning of the Second World War, films were intended to distract the public from poverty, suffering and crime. Explicit propaganda messages were not incorporated into the majority of films. The main purpose was to keep the people in “high spirits”, which Goebbels considered to be decisive for the war.

The constitution of the Murnau Foundation provides for responsible conservation of the films produced with ideological intentions during this period and not to permit any unsuitable showings of these so-called “reserved films”.
The Murnau Foundation assures that reserved films are only shown within the context of functions and discussions that are accompanied by expert introduction and comment.

The Murnau Foundation also bears responsibility for political education and instruction by granting approval for showing reserved films in the non-commercial field.

Furthermore, the Murnau Foundation supports the work of the Cologne-based Institut für Kino und Filmkultur (Institute for Cinema and Film Culture), which shows reserved films within the context of educative political functions.

 

 


Die grosse Liebe 1942

Münchhausen 1943

Opfergang 1944

Grosse Freiheit Nr. 7 1944
Film history 1919-1933
Film history after 1945